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MAMA MIA

If you enjoy musicals and pure entertainment without a heavy plot, be sure to see “Mama Mia,” the movie version of the hit Broadway play. Twas refreshing, for once, to sit through a picture with seeing cars smashing, bullets flying, buildings destroyed, blood gushing and sex oozing.

The story line is simple enough. Raised on a Greek island by a formerly rebellious mom who never disclosed the identity of her father, a bride-to-be locates three men who might be her father and invites them to her wedding.

The draw, of course, is the versatile talents of singing, dancing, acting Meryl Streep who seemingly is incapable of a poor performance. I wouldn’t be surprised to see her with another Golden Globe, or even an Oscar for this one.

Twenty-two year-old Amanda Seyfried is delightful as the young bride-to-be, full of life, fun, energy and a voice to go with it. She’s bound to go far in the movie world.

Next best, were the lady buddies of Streep’s character (Mama), played by Julie Walters and Christine Baranski…you’ll recognize them when you see them.

Two of the three possible dads were funny, believable and engaging in their roles, though they are …

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Movie Critique: “88 Minutes”

Seeing as I’ve been an avid movie fan and lover of music since my crawling days in the crib, I thought I’d add a lighter side to my blog site. I’d be happy to hear what readers have to say.

If it weren’t for the presence of mega star and fine actor, Al Pacino, 88 Minutes would probably make most of it’s money being sold at Wal-mart in one of the $1 bins.

Good movies are tough to find these days, as the motion picture market caters mainly to children and young adults which feature gore, extreme violence, terror, plethora of smashed cars and buildings, million-bullet shoot-em-ups, raw sex, garbage humor and animated stories. Such is where the money is. Once in a while, a fine drama emerges, wins an Academy Award, then flops at the box office.

The problem with 88 Minutes is not action, drama or suspense. It has plenty of that. It’s the sheer absence of plausibility to the point of being absurd.

In a nutshell: Al Pacino is a Forensic psychiatrist whose testimony helped put a sadistic killer on Death Row nine years earlier. Naturally, the killer professes his innocence as his date with death nears. …

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