A FRANK MOVIE REVIEW – “1917” – 10.0

“1917”  –  Rating:   10.0

     In a word:  Intense

 

Alex Heeney is a movie critic who writes for Seventh Row. In regards to “1917”, he opines: 

    1917 is breathtaking in every way. A chamber drama tucked inside an exquisitely rendered war epic, 1917 is more heart-stopping thriller than traditional war movie.

     Before writing this review, I accessed a number of other professional critics to see if there was a consensus, because I had agreed totally with Mr. Heeney. The great majority of critics I found shared similar feelings about this picture.

     I think this will go down as one of the top ten war movies of all time, on a level with “Saving Private Ryan,” “Midway” and “Schindler’s List.”

     The basic premise of the story is as simple as it is complicated. During the final stages of WWI when Great Britain was in a critical position in the French countryside fighting the Germans, Lance Corporal Blake and Lance Corporal Schofield, young soldiers each, are selected by the field commander to embark on a harrowing foot mission to deliver a critical message to another American brigade commander thought to be trenched in miles away. The dire message, which could only be

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STATISTICS, ENFORCEMENT AND THE RACIAL DIVIDE

Black Live Matter is a group that carries a lot of clout in the political-racial landscape in America. That’s obvious. What’s not obvious are the statistical facts about alleged racism in law enforcement and justice which shows that all people of all ethnic and racial bases can, and often are, holding prejudices. Of course, Black Lives do Matter, but that’s not to the exclusion of white, browns, Latinos, Asians, females, males, midgets and giants. We ALL matter.

     Too often we hear about terrible disparities in crime statistics and the justice systems in general, particularly as it pertains to race. Based on sheer numbers, it appears that these systems, comprising police, courts and prisons, are prejudiced against black people, invoking accusations of systemic racism at its worst. For the most part, it’s simply not true. Key word: “systemic.”

     Yes, statistics are grossly disproportionate. But there’s a reason. FBI and the Bureau of Justice reveal that over a period of 28 years, 1980 to 2008, over 52 percent of murders were committed by blacks, while 45 percent were by whites. Yet blacks comprise only 12.7 of the population, and black males only 6.3 percent. Thus, citing the sheer numbers of whites versus

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A FRANK MOVIE REVIEW: “UNCUT GEMS” – 1.0

 

“Uncut Gems” – 1 out of 10.

 

In a word:  Frenetic

     If you like good movies don’t bother seeing “Uncut Gems.” It’s the greatest waste of viewer dollars I’ve seen in a long time.

     The premise of the plot:  A crime thriller about Howard Ratner (Adam Sandler), a New York City jeweler always on the lookout for the next big score. When he makes a series of high-stakes bets that could lead to the windfall of a lifetime, Howard must perform a high-risk and dangerous act, balancing business, family, and adversaries on all sides in his pursuit of the ultimate victory.

     The movie had way too many implausible scenes. For  example, the bad guys kidnap Ratner, drive him around then bring him to where his own car is parked. There, the bad guys strip him nude and deposit him into the trunk. Minutes later, in the darkness of the trunk, Ratner is using his cell phone to call his wife, who, in fact, comes to help him out.

     Cell phone in the darkness of an auto trunk? Naked?

     If you like the sounds and optics of New York City, viewers will get plenty of that. People who are

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HOW TO REFORM LAW ENFORCEMENT – OP-ED – M. FRANK

(This article appears in news OpEd, Florida Today, this date.)

 

After serving 30 years in Miami-Dade County law enforcement — plus managing a major national security company for four more — I’ve seen my share of problems concerning life, death, crime, security and justice. There is so much to overhaul and streamline, it would exceed the limits for newsprint so I’ll narrow my views to a sampling of ideas.

If I had the magic wand, I would…

  • Do away with electing sheriffs in counties by appointing chiefs/directors much like what’s done in municipalities. It has worked effectively in Miami-Dade County since 1966. Such a system diminishes politics and does away with good-old-boys, or its perception.
  • Renovate the system of small city/town departments by merging local governments for efficiency. This would be more effective with the focus on services, training, and coordinating criminal matters. The four municipalities along 15 miles of Highway A1A is patrolled by four small departments under four police chiefs and its mini-bureaucracies. That could be reduced to one.
  • Reduce jail and prison populations by invoking the European model, which hands out far shorter or lesser sentences while converting savings into funds for training and education.
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A FRANK MOVIE REVIEW: “RICHARD JEWELL” – 7.5

“RICHARD JEWELL” – 7.5

In a word:  Awakening

     This is a Clint Eastwood film, who at the age of 89, is one of the great wonders of the world, delving into the depths of the actual story then making it come alive in film. This was a good movie, but not one of his best. That’s saying a lot, because most of his films have been first class.

     Fans going to see this film must first know that it is intended to be a docudrama, based on a true story that focuses around an overweight frumpy security guard who was a police-wannabe, working for a company which assigned him a guard role at the 1996 Olympics in Atanta where – amid the throes of thousands of citizens – he (Jewell) discovers a suspicious backpack under a bench in Centennial Park. His frenetic actions warning everyone in the area, caught the attention of police and other security personnel, though his allegations about a package with a bomb inside was doubted by many. Shortly after he began screaming at people to get back, “Get Back,” sure enough a bomb exploded. Two died, scores were injured. There would have been more victims if

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TO WIN THE WAR ON DRUGS: LEGALIZE

(This Op-Ed by yours truly appears in today’s issue of Florida Today)

On Nov. 8, just 70 miles south of the U.S. border into Mexico, drug cartel savages opened fire on three American adults and six children, burning and killing them all. Murder is commonplace. It’s not so unusual in Mexico to see bodies hanging from bridges. 

Why? It’s all about messages.

It’s no mystery. Cartels have been killing for years. No matter how many authorities claim they are fighting the drug war, too many — here and abroad — are beholden to warlords, in fear for their lives and the lives of loved ones, so the carnage continues all for money and drugs.

Mexico’s president was criticized recently after he declared a policy of “hugs not guns” in fighting the drug war. He’s too smart to be that stupid.

Arresting drug chieftain El Chapo was good news, though it accomplished nothing. No more than believing that radical Islamic Jihad is stunted because Bin Laden was killed. Great news, perhaps. Nothing changed. Drugs continue to flow. People die.

There are some who have suggested that domestic wars would be over if drugs were legalized. Hmm. Interesting thought. In fact, there

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A FRANK MOVIE REVIEW: “MIDWAY” – 8.5 (M. Frank)

“MIDWAY”  –  8.5

 

     In a word: Deja Vu

Here’s the short version. “Midway” is a well-made war movie, but if you’re a middle-aged (or older) you will think you’re seeing the 1970 version, “Tora Tora Tora” all over again. It’s a remake, a la, scene after scene of American pilots flying, bombing and diving over Japanese war ships.

Just as in “Tora,” Yamamoto is often featured as the Japanese leader aboard his battleship leading the enemy into an invasion of Pearl Harbor in December of 1941, and later, reciting the same phrase “I fear we have awakened a sleeping giant.”

Certainly, with technology advanced over nearly 50 years, the action shots are more spectacular and frightening. And, while the Pearl Harbor raid is well-recreated at the beginning of the film, the later objective is to defeat the Japanese air and naval forces at a crucial setting at the Midway atoll, in the Pacific. The movie certainly highlights the bravery and valor of the American military heroes as they finally claim victory over the enemy but not before thousands lose their lives. Without a doubt, some filming shots are visually spectacular, as the American commanders and soldiers fight with valor.

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